Indian Classical Music

Indian Raags

तत्र स्वराः –

षड्‍जश्‍च ऋषभश्‍चैव गान्धारो मध्यमस्तथा ।
पञ्‍चमो धैवतश्‍चैव सप्तमोऽथ निषादवान् ॥ २१॥

— Natya Shastra, 28.21[ Bharata Muni]

Svara (Short)	Sa (सा)	Re (रे)	Ga (ग)	Ma (म)	Pa (प)	Dha (ध)	Ni (नि)

Abhogi Kanada	Adana Anandbhairavi	Aheer Bhairav Asavari	Alhaiya Bilawal	Bageshree	Bahar
Bairagi	Bairagi Todi	Basant	Basant Mukhari	Bhairav	Bhairavi
Bhatiyar	Bheem	Bheempalasi	Bhoopali	Bhupal Todi	Bihag Maru Bihag
Bilaskhani Todi	Chandrakauns	Charukeshi	Chhayanut	Darbari Kanada	Desh
Deshkar	Desi	Dev Gandhar	Devgiri Bilawal	Devshree	Durga
Gaud Malhar	Gaud Sarang	Gauri (Bhairav Ang)	Gopika Basant	Gorakh Kalyan	Gunkali
Gurjari Todi	Hameer	Hans Dhwani	Hans Kinkini	Harikauns	Hemant
Hemshri	Hindol	Jaijaivanti	Jaldhar Kedar/ Kedar	Jaunpuri	Jhinjhoti
Jog	Jogeshwari	Pancham Jogeshwari	Jogiya	Jogkauns	Kafi
Kalawati Kalyan 2	Kamod	Kaushik Dhwani	Kausi Kanada	Kedar	Keerwani
Khamaj	Khambavati	Komal Rishabh Asawari	Lalit	Lanka Dahan Sarang	Madhukauns
Madhumad Sarang	Madhuvanti	Malgunji	Malhar	Malkauns	Mand
Maru Bihag	Marwa	Megh Malhar Miya Ki Malhar	Mohankauns	Multani	Nand
Narayani	Nayaki Kanada	Nut-Bhairav Ahir Vairabi	Parameshwari	Patdeep	Pilu
Puriya	Puriya Dhanashri	Puriya Kalyan	Poorvi	Rageshree	Ramdasi Malhar
Ramkali	Sarang (Brindavani Sarang)	Saraswati	Saraswati Kedar	Shahana Kanada	Shankara
Shivranjani	Shobhawari	Shree	Shuddha Kalyan	Shuddha Sarang	Shyam Kalyan
Sindhura	Sohani	Sundarkali	Sundarkauns	Surdasi Malhar	Tilang
Tilang Bahar	Todi	Vachaspati	Vibhas	Yaman Yaman kalyan

According to the rule of following the above Raagas could be sung , timeTime Where any expression of it occurs in any Rules, or any judgment, order or direction, and whenever the doing or not doing of anything at a certain time of the day or night or during a certain part of the day or night has an effect in law, that time is, unless it is otherwise specifically stated, held to be standard time as used in a particular country or state. (In Physics, time and Space never exist actually-“quantum entanglement”) cycle has been fixed as 6.00PM to 6.00AM

Swaras
Jati
Thaat
Vadi-Samvadi
Time
Vishranti Sthan
Mukhya-Ang
Aaroh-Avroh
Taal

***Ragas in the Guru Granth Sahib***
No.	Name of Raga	Order in Guru Granth Sahib	Ang (Page) Range	Ang (Page) Count
1	Asa ਆਸਾ	4	347 to 489	142
2	Bairari ਬੈਰਾੜੀ	13	719 to 721	2
3	Basant ਬਸੰਤੁ	25	1168 to 1197	29
4	Bhairon ਭੈਰਉ	24	1125 to 1168	43
5	Bihagara ਬਿਹਾਗੜਾ	7	537 to 557	20
6	Bilaval ਬਿਲਾਵਲੁ	16	795 to 859	64
7	Devagandhari ਦੇਵਗੰਧਾਰੀ	6	527 to 537	10
8	Dhanasari ਧਨਾਸਰੀ	10	660 to 696	36
9	Gauri ਗਉੜੀ	3	151 to 347	196
10	Gond ਗੋਂਡ	17	859 to 876	17
11	Gujari ਗੂਜਰੀ	5	489 to 527	38
12	Jaijaivanti ਜੈਜਾਵੰਤੀ	31	1352 to 1353	1
13	Jaitsri ਜੈਤਸਰੀ	11	696 to 711	15
14	Kalyan ਕਲਿਆਨ	29	1319 to 1327	8
15	Kanara ਕਾਨੜਾ	28	1294 to 1319	25
16	Kedara ਕੇਦਾਰਾ	23	1118 to 1125	7
17	Maajh ਮਾਝ	2	94 to 151	57
18	Malhar ਮਲਾਰ	27	1254 to 1294	40
19	Mali Gaura ਮਾਲੀ ਗਉੜਾ	20	984 to 989	5
20	Maru ਮਾਰੂ	21	989 to 1107	118
21	Nat Narayan ਨਟ ਨਾਰਾਇਨ	19	975 to 984	9
22	Prabhati ਪਰਭਾਤੀ	30	1327 to 1352	25
23	Ramkali ਰਾਮਕਲੀ	18	876 to 975	99
24	Sarang ਸਾਰਗ	26	1197 to 1254	57
25	Shree ਸਿਰੀਰਾਗੁ	1	14 to 94	80
26	Sorath ਸੋਰਠਿ	9	595 to 660	65
27	Suhi ਸੂਹੀ	15	728 to 795	67
28	Tilang ਤਿਲੰਗ	14	721 to 728	7
29	Todi ਟੋਡੀ	12	711 to 719	8
30	Tukhari ਤੁਖਾਰੀ	22	1107 to 1118	11
31	Vadahans ਵਡਹੰਸੁ	8	557 to 595	38

List of Taals

Chautal -12 Beats
Dadra Tal-Three: Six Beats
Dhammar Tal-14 Beats
Dipchandi Tal-14 Beats
Ektal-12 Beats
Jhaptal-10 Beats
Jhumra Tal
Kaherava-8 Beats
Khempta
Pashtu
Punjabi Theka
Rupak Tal-7 Beat
Sultal- Five and Ten Beats
Tintal-16 Beat
Tivra Tal-7 Beat
Tilwada Tal