• Celtic myths (such as the Welsh “Raid on Annwfn”)
• The Mabinogion
• Legends of the Grail King and the Fisher King
• Historical documents about the battle at Mons Badis, General Arturius, and other sixth-century subjects some scholars claim are evidence of a historical basis for later legends
• Welsh/Latin annals attributed to the so-called “Nennius” (i.e., medieval Latin writings mistakenly attributed to this person in outdated scholarship)
• Oral legends transmitted by Breton conteurs in France between 1100-1175
• Pseudo-histories written by Geoffrey of Monmouth (circa 1136)
• French stories of courtly love in medieval romances (such as Tristram and Iseult, or Lancelot and Gwenevere)
• Religious allegories about the quest for the holy grail, such as the Queste du Sainte-Graal (c. 1210)
• Wolfram von Eschenbach’s Parzival (c. 1205)
• Legends of King Mark of Cornwall, Tristan, and Iseult, such as the eleventh-century poems of Eilhart von Oberg and Thomas d’Angleterre, Beroul’s The Romance of Tristan, the anonymous La folie Tristan de Berne, and Gottfried Von Strassburg’s Tristan (c. 1205)
• Layamon’s Brut (c. 1200)
• The anonymous Alliterative Morte Arthur and the Stanzaic Morte Arthur (c. 1360)
• The Pearl Poet’s Sir Gawain and the Green Knight (c. 1375)
• Chaucer’s “The Wife of Bath’s Tale” (c. 1385)
• Sir Thomas Malory’s Le Morte D’Arthur (1469)
• Spenser’s Faerie Queene (1590-96)
• Scott’s Bridal of Triermain (1813)
• Peacock’s “The Misfortunes of Elphin” (1829)
• Morris’s The Defense of Guinevere
• Tennyson’s The Lady of Shalott (1832)
• Tennyson’s Idylls of the King (1885)
• Mark Twain’s A Connecticut Yankee in King Arthur’s Court (1889)
• Wagner’s operas
• E. A. Robinson’s Merlin, Lancelot, and Tristram (1915-25)
• T. H. White’s The Sword in the Stone and The Once and Future King
• Marion Zimmer-Bradley’s feminist/revisionist tales such as The Mists of Avalon
• A legion of popular films, cartoons, graphic novels, and works of fantasy literature.

List prepared by Dr. L. Kip Wheeler