Copyright Act 2021 (Singapore)
An act to repeal and re-enact the Copyright Act (Chapter 63 of the 206 Revised Edition) to provide for copyright, the protection of performances and related rights, and to make related and consequential amendments to certain other Acts.
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REPUBLIC OF SINGAPORE
GOVERNMENT GAZETTE
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ACTS SUPPLEMENT
Published by Authority
NO. 22]
FRIDAY, OCTOBER 8 [2021]
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First published in the Government Gazette, Electronic Edition, 7 October 2021 at 5 pm.
The following Act was passed by Parliament on 13 September 2021 and assented to by the President on 28 September 2021:—
COPYRIGHT ACT 2021
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(No. 22 of 2021)
ARRANGEMENT OF SECTIONS
| PART 1 PRELIMINARY | |
| Section | |
|---|---|
| 1. | Short title and commencement |
| 2. | Application to things existing before appointed day |
| 3. | Extension of Act to reciprocating countries |
| 4. | Exclusion of non-reciprocating countries from Act |
| 5. | Savings for other laws |
| 6. | Act binds Government |
| PART 2 INTERPRETATION | |
| Division 1—General | |
| 7. | General interpretation |
| Division 2—Works and performances | |
| Subdivision (1)—Works | |
| 8. | What is a work |
| Subdivision (2)—Authorial works in general | |
| 9. | What is an authorial work |
| 10. | What is a work of joint authorship |
| 11. | Reference to author includes all joint authors |
| 12. | What is an authorial work with an identified author |
| Subdivision (3)—Literary, dramatic and musical works | |
| 13. | Literary work includes computer program and compilation |
| 14. | Subject matter of copyright in compilations |
| 15. | What does a dramatic work include |
| 16. | When is a literary, dramatic or musical work made |
| Subdivision (4)—Adaptations of literary, dramatic or musical works | |
| 17. | What is an adaptation of a literary or dramatic work |
| 18. | What is an adaptation of a musical work |
| 19. | Adaptation of literary, dramatic or musical work includes adaptation of substantial part thereof |
| Subdivision (5)—Artistic works | |
| 20. | What is an artistic work |
| Subdivision (6)—Sound recordings | |
| 21. | What is a sound recording |
| 22. | When is a sound recording made |
| 23. | Who is the maker of a sound recording |
| Subdivision (7)—Films | |
| 24. | What is a film; what are the visual images, sounds and sound-track of a film |
| 25. | What is the making of a film |
| 26. | Who is the maker of a film |
| Subdivision (8)—Broadcasts | |
| 27. | What does it mean to broadcast (verb) |
| 28. | What is a broadcast (noun) |
| 29. | What is a television broadcast |
| 30. | What is a sound broadcast |
| 31. | Who is the maker of a broadcast |
| 32. | Where is a broadcast made |
| 33. | When is a broadcast made |
| Subdivision (9)—Cable programmes | |
| 34. | What is a cable programme |
| 35. | What is a cable programme service |
| 36. | What is inclusion in a cable programme service |
| Subdivision (10)—Qualifying performances and recordings of protected performances | |
| 37. | What is a qualifying performance |
| 38. | What is a recording of a protected performance |
| Division 3—Acts relating to works and performances | |
| Subdivision (1)—General | |
| 39. | Act done in relation to work, etc., includes act done in relation to substantial part thereof |
| 40. | Act done in relation to protected performance, etc., includes act done in relation to substantial part thereof |
| Subdivision (2)—Copying | |
| 41. | What is a copy of an authorial work |
| 42. | What is a copy of a published edition of an authorial work |
| 43. | What is a reasonable portion when copying a published edition of a literary, dramatic or musical work |
| 44. | What is a copy of a sound recording |
| 45. | What is a copy of a film |
| 46. | What is a copy of a television broadcast |
| 47. | What is a copy of a sound broadcast |
| 48. | What is a copy of a cable programme |
| 49. | Copy of work includes copy of substantial part |
| 50. | Copy of work includes temporary or incidental copy |
| 51. | What is a copy of a recording of a protected performance |
| 52. | Copy of recording of protected performance work includes temporary or incidental copy |
| Subdivision (3)—Publishing | |
| 53. | What constitutes publication of an authorial work |
| 54. | What constitutes publication of an edition of an authorial work |
| 55. | What constitutes publication of a sound recording |
| 56. | What constitutes publication of a film |
| 57. | What constitutes publication of a recording of a protected performance |
| 58. | Matters to be considered or ignored for publication, first publication, and publication before death |
| 59. | Effect of acts done before appointed day |
| 60. | Specific acts that do not constitute publication |
| Subdivision (4)—Communicating | |
| 61. | What does communicate mean |
| 62. | What does accessibility on demand mean |
| 63. | Who is the maker of a communication |
| Subdivision (5)—Broadcasting, etc. | |
| 64. | What is doing an act by the reception of a broadcast |
| 65. | What is a re-transmission of a broadcast |
| 66. | When is a copy of a sound recording or a film used in a broadcast |
| Subdivision (6)—Performing | |
| 67. | What does a performance of an authorial work include |
| 68. | Performance by operating receiving apparatus |
| 69. | Performance by operating apparatus for reproducing sounds |
| Subdivision (7)—Causing visual images to be seen or sounds to be heard | |
| 70. | Communication not included |
| 71. | Causing by operating receiving apparatus |
| 72. | Causing by operating apparatus for reproducing sounds |
| Subdivision (8)—Commercial acts | |
| 73. | What is a commercial dealing in a thing |
| 74. | What does it mean to do an act for commercial advantage |
| 75. | What is a commercial rental arrangement relating to a computer program or sound recording |
| 76. | Who is a paying audience for a television broadcast or cable programme |
| Division 4—Relevant persons and organisations | |
| Subdivision (1)—Qualified individuals and persons | |
| 77. | Who is a qualified individual |
| 78. | Who is a qualified person |
| 79. | Who is a Singapore resident |
| 80. | Country of residence not affected by temporary absence |
| Subdivision (2)—International organisations | |
| 81. | What is a prescribed international organisation |
| 82. | Legal capacity of prescribed international organisation |
| 83. | What is an educational institution |
| 84. | What is the body administering an educational institution |
| Subdivision (4)—Persons with print disabilities | |
| 85. | Who is a person with a print disability |
| 86. | What is an institution aiding persons with print disabilities |
| 87. | What is the body administering an institution aiding persons with print disabilities |
| 88. | What is a foreign institution aiding persons with print disabilities |
| Subdivision (5)—Persons with intellectual disabilities | |
| 89. | What is an institution aiding persons with intellectual disabilities |
| 90. | What is the body administering an institution aiding persons with intellectual disabilities |
| Subdivision (6)—Public collections: galleries, libraries, archives and museums | |
| 91. | What is a public collection |
| 92. | What is an archive |
| 93. | What is the custodian of a public collection |
| 94. | Who is an authorised officer of a public collection |
| 95. | When is a library run for profit |
| Division 5—Rights and rights infringements | |
| Subdivision (1)—Common provisions | |
| 96. | Who is a rights owner |
| 97. | What is a rights infringement |
| 98. | What is an infringing copy of a copyright work or protected performance |
| 99. | What is a flagrantly infringing online location |
| Subdivision (2)—Provisions relating to copyright works | |
| 100. | What are acts comprised in a copyright |
| 101. | What does it mean to do an act with or without the licence of copyright owner |
| 102. | If there are 2 or more copyright owners for a work, which owner is relevant |
| 103. | What is an exclusive licence |
| Subdivision (3)—Provisions relating to protected performances | |
| 104. | If there are 2 or more rights owners for a protected performance, whose authority is relevant |
| Division 6—Miscellaneous | |
| 105. | When is a visual image or sound embodied in an article or a thing |
| PART 3 COPYRIGHT IN WORKS | |
| Division 1—General | |
| 106. | Copyright subsists only by virtue of this Act |
| 107. | Copyrights to subsist independently |
| 108. | Nature of copyright |
| Division 2—Authorial works | |
| 109. | Conditions for copyright to subsist in unpublished authorial works |
| 110. | Conditions for copyright to subsist in published authorial works |
| 111. | Conditions for copyright to subsist in buildings |
| 112. | Nature of copyright in literary, dramatic and musical works |
| 113. | Nature of copyright in artistic works |
| 114. | Duration of copyright in authorial works |
| 115. | Duration of copyright in authorial works—transitional provision for certain works published before 31 December 2022 |
| 116. | Interpretation of sections 114 and 115—making available to public; application to works of joint authorship |
| Division 3—Published editions of authorial works | |
| 117. | Conditions for copyright to subsist in published editions of authorial works |
| 118. | Nature of copyright in published editions of authorial works |
| 119. | Duration of copyright in published editions of authorial works |
| Division 4—Sound recordings | |
| 120. | Conditions for copyright to subsist in sound recordings |
| 121. | Nature of copyright in sound recordings |
| 122. | Duration of copyright in sound recordings |
| Division 5—Films | |
| 123. | Conditions for copyright to subsist in films |
| 124. | Nature of copyright in films |
| 125. | Duration of copyright in films |
| Division 6—Broadcasts | |
| 126. | Conditions for copyright to subsist in broadcasts |
| 127. | Nature of copyright in broadcasts |
| 128. | Duration of copyright in broadcasts |
| 129. | Duration of copyright in repeat broadcasts |
| Division 7—Cable programmes | |
| 130. | Conditions for copyright to subsist in cable programmes |
| 131. | Nature of copyright in cable programmes |
| 132. | Duration of copyright in cable programmes |
| Division 8—Ownership and transactions | |
| 134. | First owner—copyright created in the course of employment |
| 135. | First owner—sound recordings, films and certain authorial works commissioned before appointed day |
| 136. | First owner—Government and prescribed international organisations |
| 137. | Transfer of copyright |
| 138. | Assignment—formalities |
| 139. | Assignment—partial assignment |
| 140. | Assignment—assignment of future copyright |
| 141. | Licences—licence of future copyright |
| 142. | Licences—formalities for exclusive licence |
| 143. | Licences—licence binds successors in title to copyright except bona fide purchaser |
| 144. | Death—devolution of copyright coming into existence after would-be owner dies |
| 145. | Death—bequest of manuscript, etc., includes any copyright therein |
| Division 9—Infringement of copyright | |
| Subdivision (1)—What is an infringement of copyright | |
| 146. | Infringement by doing act comprised in copyright |
| 147. | Infringement by importation for commercial dealing, etc. |
| 148. | Infringement by commercial dealing, etc. |
| 149. | Accessory to imported article to be ignored for purposes of sections 147 and 148 in certain circumstances |
| 150. | Infringement by making device or providing service, etc., to access works communicated without authority |
| 151. | Infringement by failure to pay equitable remuneration for causing sounds embodied in commercially published sound recordings to be heard in public |
| 152. | Exceptions to infringement |
| Subdivision (2)—Action for copyright infringement | |
| 153. | Action for copyright infringement |
| 154. | Limitation of action |
| 155. | Remedies and border enforcement measures |
| Subdivision (3)—Infringement action where exclusive licensee has concurrent right of action | |
| 156. | Interpretation of this Subdivision |
| 157. | Application of this Subdivision |
| 158. | Joinder and costs |
| 159. | Same defences and same remedies available |
| 160. | Assessment of damages |
| 161. | Apportionment of profits |
| 162. | Separate actions for same infringement |
| Subdivision (4)—Presumptions in infringement actions | |
| 163. | Application |
| 164. | Presumption that copyright subsists if not disputed, etc. |
| 165. | Presumption that claimant owns copyright if not disputed, etc. |
| 166. | Presumption of authorship where name appears |
| 167. | Presumptions where authorial work is first published in Singapore |
| 168. | Presumptions where author is dead |
| 169. | Presumptions as to anonymous or pseudonymous literary, dramatic, musical or artistic work |
| 170. | Presumptions relating to label or mark on copy of sound recording |
| 171. | Presumptions as to maker of film |
| PART 4 PROTECTION OF PERFORMANCES | |
| 172. | Interpretation of this Part |
| 173. | Protection of performances |
| 174. | Duration of protection |
| 175. | Infringing use—general |
| 176. | Infringing use—commercial dealing in unauthorised recordings, etc. |
| 177. | Action for infringing use of protected performance |
| 178. | Limitation of action |
| 179. | Remedies and border enforcement measures |
| 180. | Assignment of right to bring action |
| 181. | Presumptions relating to identity of performers |
| 182. | Other rights not affected |
| PART 5 PERMITTED USES OF COPYRIGHT WORKS AND PROTECTED PERFORMANCES | |
| Division 1—General provisions | |
| 183. | Permitted uses are not rights infringements |
| 184. | Permitted uses are independent |
| 185. | Permitted uses may go beyond scope of copyright or protection of performances |
| 186. | Permitted uses may be excluded or restricted by reasonable contract term |
| 187. | Permitted uses that may not be excluded or restricted |
| 188. | Evasion through choice of law clause to be void |
| 189. | What is sufficient acknowledgment of an authorial work |
| Division 2—Fair use | |
| 190. | Fair use is permitted use |
| 191. | Relevant matters in deciding whether use is fair |
| 192. | Additional requirement for sufficient acknowledgment where use is for certain purposes |
| 193. | Deemed fair use where work or recording included in fairly-used work |
| 194. | Deemed fair use where reasonable portion of article copied for research or study |
| Division 3—Education and educational institutions | |
| 195. | Interpretation: when is a copy or recording made or used for the educational purposes of an educational institution |
| 196. | Copying authorial work by non-reprographic means for course of education |
| 197. | Copying or communicating very small portions of literary or dramatic work for course of education provided by educational institutions |
| 198. | Copying or communicating material for educational purposes of educational institutions |
| 199. | Suspension of section 198 for contravention of record-keeping requirements |
| 200. | Copying broadcasts or cable programmes for educational purposes |
| 201. | Copying for purposes of teaching or learning film making |
| 202. | Things done for purposes of examination |
| 203. | Inclusion of authorial work in collections for use by educational institutions |
| 204. | Using material available on Internet for educational purposes |
| 205. | Performances by students or staff of educational institutions, etc. |
| Division 4—Persons with print disabilities | |
| 206. | Material to which this Division applies |
| 207. | Interpretation: what is an accessible format |
| 208. | Interpretation: what is an accessible format copy |
| 209. | Interpretation: what is a new copy of an accessible format copy |
| 210. | Interpretation: what does it mean to make an accessible format copy available to persons with print disabilities or a foreign institution |
| 211. | Making, distributing or making available accessible format copies for Singapore residents with print disabilities |
| 212. | Making or making available accessible format copies for foreign institutions or non-resident persons with print disabilities |
| 213. | Receiving, importing or distributing accessible format copies from foreign institutions |
| 214. | Making of accessible format copy by person with print disability for personal use |
| 215. | Copyright not to vest by virtue of making accessible format copy for persons with print disability |
| 216. | Rights owner’s right to license or authorise not affected |
| Division 5—Persons with intellectual disabilities | |
| 217. | Copying by institution aiding persons with intellectual disabilities—authorial works |
| 218. | Copying, etc., by institution aiding persons with intellectual disability—protected performances |
| 219. | Copyright not to vest by virtue of making copy for aiding persons with intellectual disabilities |
| 220. | Rights owner’s right to license or authorise not affected |
| Division 6—Public collections: galleries, libraries, archives and museums | |
| 221. | Interpretation: what is an article in a periodical publication |
| 222. | Public use and enjoyment—copying for public exhibition |
| 223. | Public use and enjoyment—publicising public exhibition |
| 224. | Public use and enjoyment—performing for public exhibition |
| 225. | Public use and enjoyment—making collection available on network of public collection |
| 226. | Research or study—copying and communicating material for users of public collection |
| 227. | Research or study—copying originals for use on premises of public collection |
| 228. | Research or study—copying or communicating unpublished thesis in university library or archive |
| 229. | Research, study or publication—copying or communicating unpublished old material in public collection |
| 230. | Publication—publishing unpublished old authorial works in public collection |
| 231. | Publication—communicating, performing, etc., authorial work published under section 230 |
| 232. | Preservation and replacement—copying material in public collection |
| 233. | Administration—copying or communicating material in public collection |
| 234. | Supplying copies of published literary, dramatic or musical works or articles between libraries and archives |
| 235. | Protection of libraries and archives when infringing copies made on machines installed by them |
| 236. | Copying online material for National Library Board collection |
| Division 7—Use of computer programs | |
| 237. | Making back-up copy of computer program |
| 238. | Copying electronic compilation or computer program when essential for use |
| 239. | Decompilation of computer program by lawful user |
| 240. | Observing, studying and testing of computer program by lawful user |
| 241. | Copying or adapting of computer program by lawful user |
| 242. | Interpretation: who is a lawful user |
| Division 8—Computational data analysis | |
| 243. | Interpretation: what is computational data analysis |
| 244. | Copying or communicating for computational data analysis |
| Division 9—Communication of sound recordings and recordings of protected performances | |
| 245. | Interpretation: what is an interactive service |
| 246. | Communication by analogue broadcast |
| 247. | Communication by non-interactive digital broadcast |
| 248. | Communication by other analogue or non-interactive digital transmission |
| Division 10—Films | |
| 249. | Films depicting historical events |
| 250. | Using record of sounds in films |
| Division 11—Broadcasting, cable programmes and simulcasting | |
| 251. | Making sound recordings or films of literary, dramatic and musical works for broadcasting |
| 252. | Making films of artistic works for television broadcasting or cable programmes |
| 253. | Copying sound recordings or recordings of performances for broadcasting |
| 254. | Checking whether broadcast of sound recording or recording of performance is lawful |
| 255. | Making sound recordings or films of literary, dramatic or musical works for simulcasting |
| 256. | Copying sound recordings, recordings of performances, or films for simulcasting |
| 257. | Reception of broadcasts or cable programmes |
| 258. | Deemed copyright licences when receiving or transmitting broadcasts or cable programmes |
| Division 12—Making musical records | |
| 259. | Interpretation and scope of this Division |
| 260. | Conditions for making musical records |
| 261. | Conditions for including literary or dramatic work in musical record |
| 262. | Regulations and inquiry on amount of royalties |
| 263. | Regulations on other matters |
| 264. | Modifications relating to records made before 10 April 1987 |
| Division 13—Artistic works | |
| 265. | Buildings and certain artistic works in public places |
| 266. | Incidental inclusion in film, television broadcast or cable programme |
| 267. | Copying artistic work in different dimensions |
| 268. | Copying part of artistic work in later artistic work |
| 269. | Reconstruction of buildings |
| Division 14—Artistic works with corresponding designs and industrially applied artistic works | |
| 270. | Interpretation of this Division |
| 271. | Purpose of this Division |
| 272. | Artistic work with corresponding design that is or was registered under Registered Designs Act |
| 273. | Modification of section 272 if registration is false |
| 274. | Artistic work with industrially-applied corresponding design that could have been registered under Registered Designs Act |
| 275. | Artistic works that have been industrially applied |
| 276. | Application to artistic works made before 10 April 1987 |
| Division 15—Material in public registers, publicly disclosed material and data sharing within public sector | |
| 277. | Interpretation: what is a public register |
| 278. | Copying or communicating material in public registers |
| 279. | Copying literary or artistic works in public registers |
| 280. | Interpretation: what is publicly disclosed material |
| 281. | Copying or communicating publicly disclosed material |
| 282. | Copying literary or artistic works that are publicly disclosed material |
| 283. | Data sharing within public sector |
| Division 16—Acts for service of Government | |
| 284. | Interpretation: what is a public act |
| 285. | Public act is permitted use |
| 286. | Terms for doing public act |
| 287. | Public act does not constitute publication |
| 288. | Protection of purchaser in sale in the course of public act |
| 289. | Modification when exclusive copyright licence in force |
| Division 17—Judicial proceedings and legal advice | |
| 290. | Acts done for judicial proceedings |
| 291. | Acts done for seeking legal advice |
| Division 18—Miscellaneous | |
| 292. | Temporary copies made in the course of communication |
| 293. | Temporary copies made in user caching |
| 294. | Transfer of electronic copy of material |
| 295. | Reading or recitation of literary or dramatic works |
| 296. | Religious performances of literary, dramatic or musical works |
| 297. | Using adaptations of literary, dramatic or musical works |
| 298. | Copying published editions of authorial work in course of permitted use of authorial work |
| 299. | Private and domestic use |
| 300. | Recording performance, etc., in mistaken belief of authorisation |
| Division 19—Notation of copies | |
| 301. | When and how should a copy be notated |
| 302. | Presumptions relating to notated copy |
| 303. | Making false or misleading notation |
| PART 6 REMEDIES FOR AND BORDER ENFORCEMENT MEASURES AGAINST RIGHTS INFRINGEMENTS | |
| Division 1—Remedies for rights infringements | |
| 304. | Interpretation of this Division |
| 305. | Remedies |
| 306. | No damages for innocent rights infringement |
| 307. | Measure of damages |
| 308. | Measure of statutory damages |
| 309. | Order to deliver up infringing copies, etc. |
| 310. | Order to dispose of infringing copies, etc. |
| 311. | Procedure for disposal order |
| 312. | Remedy for infringement of copyright under section 151 |
| Division 2—Remedies against network service providers | |
| Subdivision (1)—Preliminary | |
| 313. | Interpretation of this Division |
| 314. | Provisions relating to rights infringement not affected |
| Subdivision (2)—Restriction of remedies against rights infringements in course of providing network services | |
| 315. | Restriction of remedies if conditions met |
| 316. | Conditions relating to infringement by transmission, routing or providing connections |
| 317. | Conditions relating to infringement by system caching |
| 318. | Conditions relating to infringement by storage |
| 319. | Conditions relating to infringement by locating information |
| 320. | Conditions do not require monitoring of network services, etc. |
| 321. | Evidence of compliance with conditions |
| 322. | Protection against liability for removing or disabling access to electronic copy under section 317, 318 or 319 |
| 323. | Requirements relating to take-down or restoration notices, etc. |
| 324. | Making false statements in take-down or restoration notice |
| Subdivision (3)—Disabling access to flagrantly infringing online locations | |
| 325. | Access disabling order |
| 326. | Procedure for application |
| 327. | Variation and revocation of order |
| 328. | Application of presumptions |
| Division 3—Border enforcement measures against infringing goods | |
| Subdivision (1)—Preliminary | |
| 329. | Interpretation of this Division |
| 330. | Interpretation: what are infringing goods |
| 331. | Infringement actions to which this Division applies |
| Subdivision (2)—Seizure on request | |
| 332. | Request to seize |
| 333. | Duration of request |
| 334. | Seizure on request |
| 335. | Notice to bring action after seizure |
| Subdivision (3)—Seizure without request | |
| 336. | Inspection and seizure without request |
| 337. | Notice of seizure |
| 338. | Request to continue detention |
| 339. | Release of seized goods if request not made |
| 340. | Notice to bring action if request made |
| Subdivision (4)—Infringement action after seizure | |
| 341. | Interpretation of this Subdivision |
| 342. | Time for requestor to bring action |
| 343. | Failure to bring action—release of seized goods |
| 344. | Failure to bring action—compensation for seizure |
| 345. | Infringement action—orders in relation to seized goods |
| 346. | Infringement action—release of seized goods if no contrary order made |
| 347. | Infringement action—compensation if action dismissed, etc. |
| 348. | Infringement action—further provisions |
| Subdivision (5)—Supplementary provisions on seizure | |
| 349. | Security for request to seize or continue detention |
| 350. | Direction for secure storage |
| 351. | Inspecting, or removing sample of, seized goods |
| 352. | Power of customs officer, etc., to require information after seizure |
| 353. | Requestor may ask for identity, etc., of person connected with seized goods |
| 354. | Notice of release |
| 355. | Forfeiture by consent |
| 356. | Release by consent |
| 357. | Release for non-compliance with directions, etc. |
| 358. | Unsecured expenses of Director-General |
| Subdivision (6)—Powers to search for seizable infringing goods | |
| 359. | Interpretation of this Subdivision |
| 360. | Powers to search vessels, aircrafts and vehicles |
| 361. | Examination and search of packages, etc. |
| 362. | Removal of packages, etc., to police station, etc., for examination and search |
| 363. | Search of travellers and baggage |
| 364. | Powers to enter certain premises |
| 365. | Obstruction of customs officers |
| Subdivision (7)—Administration of this Division | |
| 366. | Appointment of persons to exercise powers and duties of customs officers |
| 367. | Delegation of Director-General’s powers |
| 368. | Fees |
| PART 7 ADDITIONAL RIGHTS RELATING TO COPYRIGHT WORKS AND PROTECTED PERFORMANCES | |
| Division 1—Author’s moral rights | |
| 369. | Interpretation of this Division |
| 370. | Application |
| 371. | Right to be identified |
| 372. | Right to be identified—when should an author be identified |
| 373. | Right to be identified—how should an author be identified |
| 374. | Right to be identified—exception where author not known |
| 375. | Right to be identified—exception for certain authorial works |
| 376. | Right to be identified—exception for certain permitted uses |
| 377. | Right to be identified—transitional exceptions |
| 378. | Right against false identification |
| 379. | Right not to be falsely identified as author of copy of artistic work |
| 380. | Right not to have altered copy represented as unaltered |
| 381. | Moral rights not infringed by acts, etc., outside Singapore |
| 382. | Consent and formal waiver |
| 383. | Action for infringement of moral rights |
| 384. | Limitation of action |
| 385. | Remedies |
| 386. | Moral rights not assignable |
| 387. | Devolution on death |
| 388. | Other rights not affected |
| Division 2—Performer’s moral rights | |
| 389. | Interpretation of this Division |
| 390. | Application of moral rights |
| 391. | Right to be identified |
| 392. | Right to be identified—when should a performer be identified |
| 393. | Right to be identified—how should a performer be identified |
| 394. | Right to be identified—exception where performer not known |
| 395. | Right to be identified—exception for certain performances |
| 396. | Right to be identified—exception for certain permitted uses |
| 397. | Right to be identified—transitional exception |
| 398. | Right against false identification |
| 399. | Right not to have altered recording represented as unaltered |
| 400. | Moral rights not infringed by acts, etc., outside Singapore |
| 401. | Consent and formal waiver |
| 402. | Action for infringement of moral rights |
| 403. | Limitation of action |
| 404. | Remedies |
| 405. | Moral rights not assignable |
| 406. | Devolution on death |
| 407. | Other rights not affected |
| Division 3—Protection of electronic rights management information | |
| 408. | Interpretation of this Division |
| 409. | Interpretation: what is rights management information |
| 410. | Application |
| 411. | Prohibition on removing or altering rights management information |
| 412. | Prohibition on dealing with altered rights management information |
| 413. | Prohibition on dealing with protected copies after rights management information altered or removed |
| 414. | Action for infringement |
| 415. | Limitation of action |
| 416. | Remedies |
| 417. | Offence |
| 418. | Power to deal with protected copies, etc., in proceedings under section 417 |
| 419. | Powers of entry, search and seizure |
| 420. | Disposal of seized evidence |
| 421. | Other rights not affected |
| Division 4—Protection of technological measures | |
| 422. | Interpretation of this Division |
| 423. | Interpretation: what are technological measures, access control measures and protection measures |
| 424. | Application |
| 425. | Prohibition on circumventing access control measure |
| 426. | Prohibition on dealing in circumventing devices |
| 427. | Prohibition on dealing in circumventing services |
| 428. | Exception—access by non-profit library, etc., for purpose of acquisition |
| 429. | Exception—protecting personal information of network user |
| 430. | Exception—achieving interoperability between computer programs |
| 431. | Exception—research on encryption technology |
| 432. | Exception—preventing minor access to online material |
| 433. | Exception—testing of security flaws, etc., of computer |
| 434. | Exception—law enforcement, national defence, etc. |
| 435. | Exception—prescribed exceptions |
| 436. | Action for infringement |
| 437. | Limitation of action |
| 438. | Remedies |
| 439. | Offence |
| 440. | Power to deal with protected copies, etc., in proceedings under section 439 |
| 441. | Powers of entry, search and seizure |
| 442. | Disposal of seized evidence |
| 443. | Other rights not affected |
| PART 8 OFFENCES | |
| Division 1—Offences with commercial element | |
| 444. | Commercial dealings, etc., in infringing copies |
| 445. | Infringement for commercial advantage, etc. |
| 446. | Making or possessing article capable of making infringing copies |
| 447. | Punishment |
| Division 2—Offences without commercial element | |
| 448. | Distribution, etc., of infringing copies of works |
| 449. | Wilful and significant rights infringement |
| 450. | Causing certain works or performances to be performed, seen or heard in public for private profit |
| 451. | Advertisement for supply of infringing copies of works |
| 452. | Punishment |
| Division 3—Other provisions | |
| 453. | Presumption where person possesses 5 or more infringing copies |
| 454. | Proof of subsistence of copyright and protection of performance, etc., by affidavit |
| 455. | Power to deal with infringing copies, etc., in proceedings under this Part |
| 456. | Powers of entry, search and seizure |
| 457. | Disposal of seized evidence |
| PART 9 REGULATION OF COLLECTIVE MANAGEMENT ORGANISATIONS | |
| Division 1—Preliminary | |
| 458. | Interpretation of this Part |
| 459. | Interpretation: what is a collective management organisation (CMO) and who are its members; what is a tariff scheme |
| 460. | Purpose of this Part |
| Division 2—Class licensing of CMOs | |
| 461. | CMOs must be licensed |
| 462. | Class licences |
| 463. | Financial penalty for non-compliance with class licence conditions |
| 464. | Regulatory directions to CMOs and their officers |
| 465. | Cessation order |
| 466. | Reconsideration of decisions |
| 467. | Appeal |
| Division 3—Review of tariff schemes, etc., by Copyright Tribunals | |
| 468. | Interpretation: who is an intending user of a tariff scheme |
| 469. | Interpretation: when does a tariff scheme apply or not apply to a case |
| 470. | Review of proposed tariff scheme |
| 471. | Review of in-force tariff scheme |
| 472. | Review after order made under section 470 or 471, etc. |
| 473. | Effect where tariff scheme remains in force pending reference or after Tribunal order |
| 474. | Application to Tribunal for permission to be granted on reasonable terms |
| 475. | Orders not to contradict regulatory directions or class licence conditions |
| Division 4—Miscellaneous | |
| 476. | CMO may apply to Tribunal on behalf of rights owners |
| PART 10 COPYRIGHT TRIBUNALS | |
| Division 1—Preliminary | |
| 477. | Interpretation of this Part |
| 478. | Agreements or awards not affected |
| Division 2—Establishment of Tribunals | |
| 479. | Establishment of Tribunals |
| 480. | Appointment of president, deputy presidents and panel |
| 481. | Appointment of secretary and other officers |
| 482. | Remuneration, allowances and expenses |
| 483. | Protection of members |
| 484. | Members and officers deemed to be public servants |
| 485. | Functions of Tribunals |
| 486. | Constitution of Tribunal |
| 487. | Reconstitution of Tribunal if member unable to continue |
| 488. | Sittings |
| 489. | Proceedings to be in public |
| 490. | Decisions how made |
| 491. | Evidence |
| 492. | Provisions on inquiries |
| 493. | Orders of Tribunal |
| 494. | Reference on question of law arising in case to General Division of High Court |
| 495. | Representation |
| 496. | Costs |
| 497. | Regulations on procedure |
| 498. | Other provisions on procedure |
| PART 11 MISCELLANEOUS | |
| 499. | Groundless threats of legal proceedings for copyright infringement |
| 500. | Offences by bodies corporate, etc. |
| 501. | Jurisdiction of courts |
| 502. | Application of Government Proceedings Act |
| 503. | Application of Electronic Transactions Act |
| 504. | Immunity of officers and employees of Government and IPOS |
| 505. | Regulations |
| 506. | Repeal of Copyright Act |
| 507. | Related and consequential amendments, etc. |
| PART 12 TRANSITIONAL | |
| Division 1—Preliminary | |
| 508. | References in laws and documents to predecessor Acts and copyright thereunder |
| Division 2—Works, acts, etc., before 1 July 1912 | |
| 509. | Interpretation of this Division and Division 3 |
| 510. | What is a substituted right |
| 511. | No copyright in authorial works made before 1 July 1912 unless there is substituted right |
| 512. | Scope of copyright in dramatic or musical works made before 1 July 1912 depends on scope of substituted right |
| 513. | Copyright in contributions to periodicals made before 1 July 1912 subject to author’s right to publish in separate form |
| 514. | Assignments and grants made before 1 July 1912 |
| Division 3—Works, acts, etc., before 10 April 1987 | |
| 515. | Authorial works first published before 10 April 1987—no revival of copyright expiring before 10 April 1987 |
| 516. | Authorial works made before 10 April 1987—modifications to section 109 |
| 517. | Authorial works first published before 10 April 1987—modifications to section 110 |
| 518. | Photographs taken before 10 April 1987—who is the author |
| 519. | Photographs taken before 10 April 1987—duration of copyright |
| 520. | Artistic works made before 10 April 1987—no copyright if work is a registrable design |
| 521. | Sound recordings made or first published before 10 April 1987—modifications to section 120 |
| 522. | Sound recordings made before 10 April 1987—duration of copyright |
| 523. | Films made before 10 April 1987—treatment |
| 524. | Assignments and licences made before 10 April 1987 in relation to authorial works, sound recordings and films to have similar effect |
| 525. | Authorial works made before 10 April 1987—copyright reverts to author’s estate 25 years after death |
| 526. | Bequests by author who died before 10 April 1987 |
| 527. | Reproduction of authorial work published before 10 April 1987 upon payment of royalties |
| Division 4—Commercial rental arrangements in respect of copies bought before 16 April 1998 | |
| 528. | Copies of computer programs bought before 16 April 1998 |
| 529. | Copies of sound recordings bought before 16 April 1998 |
| Division 5—Copyright and protection expiring before 1 July 2004 | |
| 530. | No revival or extension of copyright in authorial work, sound recording or film expiring before 1 July 2004 |
| 531. | No revival or extension of protection for performances ceasing to be protected before 1 July 2004 |
| Division 6—Assignments and licences before 1 January 2005 | |
| 532. | Assignments and licences made before 1 January 2005 and relating to broadcasting and cable programmes |
| Division 7—Works, performances, acts, etc., before appointed day | |
| 533. | No revival or extension of copyright in authorial work, sound recording or film expiring before appointed day |
| 534. | Assignments and licences of copyright made on or after 10 April 1987 and before appointed day to have similar effect |
| 535. | Assignments of performers’ rights made before appointed day to have similar effect |
| 536. | Photographs taken on or after 10 April 1987 and before appointed day—who is the author |
| 537. | Photographs taken on or after 10 April 1987 and before appointed day—presumptions relating to authorship |
| 538. | Editions of authorial works published by Government before appointed day—no infringement of Government copyright |
| 539. | Deciding equitable remuneration payable under 1987 Act |
| 540. | Copyright Tribunals constituted under 1987 Act |
| 541. | Saving and transitional provision |