Scholastic Commentary on Rig Veda Shakala Samhita
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Rigveda Samhita
Tanmoy Bhattacharyya
เคเคเฅเคตเฅเคฆเค เคฎเคฃเฅเคกเคฒเค
Format: Samhita (เคธเคเคนเคฟเคคเคพ-1028),10552 Mantras
| First Mandala (191 Suktas) เคตเฅเคถเฅเคตเคพเคฎเคฟเคคเฅเคฐเค (Rishi Viswamitra) เคเคพเคฏเคคเฅเคฐเฅ (Gayatri Chhanda) เค เคเฅเคจเคฟเค (Agni Devata) 2006 Riks | Second Mandala | Third Mandala |
| Forth Mandala | Fifth Mandala | Sixth Mandala |
| Seventh Mandala | Eighth Mandala | Nineth Mandal |
| Tenth Mandala | Khila Suktani | Rig Veda (Index) |
We do not have the original Veda Brikhsa, we have only Sakhas, here we have taken Sakala Sakha for Scholastic Commentary, the volume is fashioned as Samhita (เคธเค เคนเคฟเคค), for the wellbeing of the citizenry ( เคชเฅเคฐ: เคนเคฟเคคเค) and to perform เคฏเคเฅเค (Yagna), under the guidance of เคฆเฅเคต (Devata), for ‘เคญเคฆเฅเคฐเค เคเคฐเคฟเคทเฅเคฏเคธเคฟ’ stabilizing the society and to achieve truth (เคธเคคเฅเคฏ). Editor Shakala respectfully acknowledged the contribution of earlier Rishis (‘เคชเฅเคฐเฅเคตเฅเคญเคฟเคฐเฅเคเคทเคฟเคญเคฟเคฐเฅเคกเฅเคฏเฅ’). Shakala was aware that what he was collecting was not the whole Rig Veda but a minuscule portion of it in Samhita Format, borrowed from multiple patron Families, such as Vishvamitra, Vashistha, Vamadeva, Kanva, Angira, Gritasamada, Atri, etc. We do not know whether these Rishis were actual receivers of those mantras or not, we shall discover it gradually, while making progress in commenting on the text of the Sakala Samhita without taking any outside help.
We certainly know that the Rishis were neither Brahmins nor Sudras, they were simple men and women without the ‘Economic Tag’ marks. They were เคเคตเคฟ, they were เคนเฅเคคเคพ, they were เคชเฅเคฐเฅเคนเคฟเคค within the Vedic Economy. Their style of presentation was factual (เคเคคเฅเคจ), a fact can be hard (material) or ideal, and they can deal with both.
Khila Sutras were not collected in any Samhitas but were available in the Vedic academia without family affiliations, that is why they were not included in the Samhita and were collected separately by unknown persons.
Samhitas were edited for recital purposes.
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